Product work across two subjects: silver jewellery photographed on the body, and a drinks can lit in the studio.
The jewellery pictures use daylight, skin, denim and leaves, so each piece is seen as it is worn. The can is the opposite: a controlled set on black, where every highlight is placed.
07.02
Twisted silver bands stacked on one finger, wrapped around a ribbed blue glass. The cool blue sets off the warm metal, and the vertical ribbing repeats the texture of the rings.
07.03
A loosely closed hand against leaves far enough behind to blur completely. The ring's polished bead and twisted band are the only sharp detail in the frame.
07.04
A close profile of an ear with hammered silver studs, the hair drawn back. Natural skin and loose strands keep it real, and the hammered surface catches small points of light.
07.05
A frosted can in low-key studio light, orange slices at its base. Hard side light picks out the condensation and the embossed logo, and the black ground makes the white can stand out.
